Rock Star: The Making of Musical Icons from Elvis to Springsteenby David R Shumway Johns Hopkins University Press
- Pub Date:
- Hbk 264 pages
- AU$66.00 NZ$68.70
Shumway investigates the rock star as a particular kind of cultural construction, different from mere celebrity. After the golden age of moviemaking, media exposure allowed rock stars more political sway than Hollywood's studio stars, and rock stars gradually replaced movie stars as key cultural heroes. Because of changes in American society and the media industries, rock stars have become much more explicitly political figures than were the stars of Hollywood’s studio era. Rock stars, moreover, are icons of change, though not always progressive, whose public personas read like texts produced collaboratively by the performers themselves, their managers, and record companies. These stars thrive in a variety of media, including recorded music, concert performance, dress, staging, cover art, films, television, video, print, and others.
Filled with memorable photographs, Rock Star will appeal to anyone interested in modern American popular culture or music history.
Forward: The Rock Star as Metaphor Anthony DeCurtis
1. Reflections on Stardom and Its Trajectories
2. Watching Elvis
3. James Brown: Self-Remade Man
4. Bob Dylan: The Artist
5. The Rolling Stones: Rebellion, Transgression, and Excess
6. The Grateful Dead: Alchemy, or Rock & Roll Utopia
7. Joni Mitchell: The Singer-Songwriter and the Confessional Persona
8. Bruce Springsteen: Trapped in the Promised Land
Conclusion: Where Have All the Rock Stars Gone?
"A minor masterpiece... Clear, stimulating prose."